Rooster
Hurt Locker.Absolutely ridiculous.
Here's the thing about Hurt Locker. I
wanted to like it. For the first part of the movie I completely ignored the glaring implausible situations because the action-movie junkie in me maintained that the movie portrayed the authentic "feel," rather than actual authenticity of situations. Guy Pearce, funny enough, felt the most "real" here. The main character, SFC James (played by the dude from 28 Weeks Later), also felt fairly "real." Ditto the younger EOD dude (save for one big caveat, where his real counterpart would have shot that triggerman immediately). Because of these great performances, as the movie progressed, I wrote the inaccuracies off as mere nitpicks. I can shape my viewing experience by agreeing to the idea that Hurt Locker is to EOD as Top Gun was to the Navy Fighter Weapons School. The absolutely impossible idea of an Iraqi taxi cab (they're the cars with orange painted fenders) getting through a cordon without getting hundreds of rounds ripping through the driver's body only elicited a slight eye roll, rather than the audible "bullshit" that it should have. I justified it through two reasons. First, the aforementioned suspension of disbelief for Hollywood. It's entertainment, and reality won't work in a 2 hour movie. Second, I justified the ridiculous situation (one of many in that 15 minute stretch alone) by the notion that the film makers relayed the very real fact that Iraqis sometimes do apparently shortbus-retarded things that cannot be written off as language barrier. Four out of five times the average Iraqi pays heed to the fact you have a weapon that spews half inch diameter bullets. That one out five, though...And it's those little things that made me forget my eye rolls. There's that random hajji absolutely intent on practicing his broken English with you. The tiny speck of realism of "Mister, where are you from?" colored tidbits of everyday reality, counteracting the ridiculousness in everything else in this film. So I but my tongue. I understood that layman civilians find jittery camerawork and cusswords gritty and realistic. Who am I to shatter illusions?
Half way through the flick, though, it went from nitpicks about the wrong badges and the implausible/impossible, to walk-out-the-theater ridiculous.
So EOD are snipers now too, huh? That question broke the camel's back. It's the cumulative impossibilities, the cumulative WTF that kept drowning out the good stuff. From dudes randomly leaving their vehicles, to the three-man super EOD team wandering the city all by themselves. Questions, questions, questions digging a hole in my brain (you wouldn't leave your shitty Honda with its engine running on Main Street, Podunkville, why the fuck would anybody in the middle of fucking Iraq? Especially when that Honda of yours has a mounted .50 cal that sure as hell is a lot more expensive and useful than that ghetto tape deck). I couldn't simply write these questions off. I hated the next thirty minutes after super-EOD put on their sniper/spotter hats.
But then a funny thing happened. By the time the main character put on a hoodie and did some fucking one-man cop show, I let it all go. His renegade cop/loose cannon routine was Riggs from Lethal Weapon, not Band of Brothers. So that's what this is. It's Speed in Iraq. Or Blown Away in Iraq. Or, fittingly Kathryn Bigelow, it's Point Break in Iraq. Fine. Consider me half way entertained. The filmmakers could have saved me a lot of grief if they ditched the ACUs, if they ditched the pretense of the characters being an Army EOD team.
And so, that's where we were. Me and Hurt Locker came to an understanding. It does its thing, and I will turn off my brain. Detente. From implausible UXO cordons through super-EOD-sniper adventures, all the way to detective-work and Jack Bauer-esque Baghdad fun, the flick plods along in its wackiness. "Speed in Iraq," I promise to mutter instead of "bullshit." I can stomach it.
Until finally Hurt Locker goes on and changes complete directions. When we reach the supermarket, the movie suddenly clicks. When we see the last chinook land, I understand. The nitpicks of the fact we have chinooks incorrectly painted as Marine helos or that a SSG has velcro rank taped to his PC is only picked out moments later as the credits roll because they've been drowned out by how right the scene is.
Can you love a whole movie for the last ten minutes alone?
While a short list of movies/books have almost had me change my mind about it in its last ten minutes (i.e. seeing ICBMs fly and our veritable JC reluctantly keying the mic in Terminator 3), Hurt Locker is the only piece of work that has ever completely turned me around. Those few minutes have completely surpassed just any "war movie." That tiny percentage of film connected to me in a more solid way than anything in my recent memory. The juxtaposition of absolute over-the-top ridiculousness to the most authentic portrayal in recent memory, in ONE movie is simply astounding. Again, I come to the idea that maybe the movie pushes authentic "feel," rather than authentic plot points. The last few minutes would be out of place if not contrasted with the prior 90. Perhaps they needed to go over-the-top to convey the "feeling" of a deployment. Fittingly, like those first 90 minutes of the movie, I have been saying "bullshit" under my breath throughout my entire deployment.
Cynically, one wonders if that was planned. Did the filmmakers know the viewer would cry "utter bullshit" for 90 minutes straight, only to completely drop stone silent for the next ten? If so, genius. They've substituted frustration and the nagging unease of the situation that is a combat tour with the frustration and nagging unease of movie nitpicks. Then they substitute your unease and vague familiarity of a homecoming with your vague familiarity of Evangaline Lilly and supermarkets that seem a little off, unreal, in sharp contrast with what your life was for the last 12 months. You recognize the chick from Lost as someone you feel you should know but realize that you don't--that you have memories that are different from what you now see. If it's by pure happenstance, I can still say the last scenes of Hurt Locker are some of the most truthful I've seen in celluloid war. It gave me some things to ponder.
I can't get my feelings on coming home into words. I keep thinking I will get around to it, but I can't help feeling exploitative of my experience in Iraq. I can't put it all in a way that won't sound either self-centered or melodramatic. That's the big reason I haven't really posted anything I wrote down "over there."
It's not First Blood, it's not The Deer Hunter. But in ways, it is. Comparing it to that feels self-important--over dramatizing a whole lot of nothing. But a lot of what I'm feeling is a cold disconnect with everything and everyone here at what's supposedly "home." Satisfaction. Paint It Black. Rooster.
I find myself being short and testy, and carrying a scary sense of entitlement. You're making me wait in line for the cash register when I had a fucking rocket fly over me just last week? The DMV bitch is giving me the run around when I've led over a hundred combat patrols? The TSA is hassling me about too much electronic equipment in my carry-on when I had live grenades on my dashboard mere weeks ago? When I'm responsible for the lives of soldiers? When I've had fucking bullet holes in my windows? When I've woken to explosions and automatic gun fire whizzing overhead? When I've secured caches with hundreds of EFP kits and live explosives? When I've explained to sheiks and Iraqi colonels on why we're going into this neighborhood or denying a request of some starving kid or amputee? When I've lived a real life, year-long National Geographic issue?
I find myself angry at the minivans and asshole drivers on cellphones--angry that they sent me to do things that they have no clue about. Angry at fucking soccer moms and fucking oblivious reality show stars and even the fucking pogues that stayed on a super-FOB for the last year, or the cheesedicks that have 7 month deployments. I find myself angry at the assholes that patronize me, that "want to know what it was like." I'm angry at all of the talking heads on TV. I'm angry at everyone carrying on with their lives, me knowing that for the last year they all drove their SUVs and drank their three dollar coffee obliviously. Ignorant. Absorbed. Unmindful. I'm angry at Katie Couric and Brian Williams and Charlie fucking Gibson, all telling me about the tragic death of fucking Michael Jackson.
I've not even broached the stupid things I find myself doing (I was looking for my weapon thinking I needed my carbine to go to Walmart. It took 30 minutes of angry searching until I felt foolish). I find myself avoiding things that serve as reminders. I've avoided war movies and even crap like Terminator Salvation gave me some very odd gut-tightening. I waded into Hurt Locker like a kid afraid of a cold swimming pool--dipping a toe first, slightly relieved to find initial inaccuracies ballooning into farce, but finding slight discomfort along the way. It's not that I'm gonna go into some cliche 'Nam vet flashback, it's just that I'd rather not be reminded about a year of suck. In all, though, I'm not too worried about reliving the year of purgatory, but I am instead alienated about the year ahead of me. The world seems like a different place. I rant about Twilight and scratch my head at all sorts of things that popped up over the last year because it's frustrating that I feel left behind. I feel like I've been on Mars for the last century finding an Earth that is different from what I remember.
How lame am I?
I feel like such a tool. How can I even compare my deployment with what other generations in my shoes have faced? I didn't even approach the things that others have seen and experienced. For me, war is I don't want to sound like a whiny bitch. You could always tell which of the so-called milblogs were written by pogues. Some truck driver complaining about the food or some female complaining about how she has to carry her gun or those mean guys that are, well, mean to her. War is hell, indeed. Truthfully, the deployment wasn't nearly as bad as a lot make it out to be. Really, the only issue in a deployment is the fact you put your life on hold for a year. It's hard to illustrate that to others. No one does that outside of the US Army. People make trips, expeditions, go on sabbaticals. But none of them cut themselves off from recognizable civilization completely, nor for such a long period of time. Missionaries and aid workers still do not have the same experience as a combat arms Soldier deployed for 12-15 month stretches on isolated outposts rather than super-FOBs. It's different to build a school, eat with the teachers, and promptly throw your hands in the air dumping responsibility for the safety of everyone around you when assholes with AK-47s show up. Soldiers can't order that menu a la carte. Even still, the threat of death honestly didn't factor in that much. I wasn't a nurse or aircraft mechanic or truck driver or security guard--closing with the enemy is my chosen profession. Others pray to hear "here comes the cavalry." I am the Cavalry. Literally. And for the most part, the bad guys in 2008 were hired criminals, not committed terrorists, and certainly not professional soldiers.
But I still feel like a maudlin little fool. Much ado about nothing. I should mention that I'm not really this morose and one may get the impression that this is all the inane ramblings of a drama queen. I'm just letting the keyboard work out some thoughts, is all. Still, much ado about not-a-whole-heckuva-lot.
Nothing is over! Nothing! You just don't turn it off! It wasn't my war! You asked me, I didn't ask you! And I did what I had to do to win! But somebody wouldn't let us win! And I come back to the world and I see all those maggots at the airport, protesting me, spitting. Calling me baby killer and all kinds of vile crap! Who are they to protest me? Who are they? Unless they've been me and been there and know what the hell they're yelling about!

...Here they come to snuff the rooster...
...You know he ain't gonna die...













